![]() Lucia gets her payday-which, presumably, means the realization of her Hollywood dreams-and Mia the seat at the piano. Sure, Albie might shoot Portia a text during Intro to Brit-Lit, but as long as he just can't help but throw his gaze at the hottie in the airport, he will always be, in some ways, his father's son, who is firmly his father's son.Īs for Lucia and Mia? They've always been somewhere between mischief, Robin Hoods, villains, and heroes. It feels like a dark statement from White: these men are fucked. After Albie rebranded to Mark (get it?), Dominic caved to his son in the name of fixing his long-broken marriage, and Bert is just kinda horny. The three Di Grasso men, all going googly-eyed at the same woman, putting an entirely too on-the-nose level of truth to Bert's "Achilles Cock" comment. I don't know-maybe it's as simple as Ethan just working through his insecurities by beating the living shit out of his college bully? I'm going with that. What's Ethan's big breakthrough? In his post-episode interview, White nods toward the camp of critics who long speculated that Harper and Ethan would need to introduce a level jealousy to their relationship to keep it alive, just as Cameron and Daphne do. Whatever happens, Harper and Ethan not only show, finally, that they have some level of fondness for each other, but they have sex. (Ethan kisses Mia Harper kisses Cameron.) Ethan nearly strangles Cameron to death over it all, before going on a strange jaunt with Daphne, which I'll also get into later on. The first act of the finale reckons with everyone's drunk, dumb nothings-and in the end, Harper unknowingly goes eye for an eye with Ethan. See: a Marvel-level battle between Ethan and Cameron. ![]() The fearsome foursome's climax lives up to the wild shit Reddit had in mind. dreamlike to anyone else? Francesca D’Angelo/HBO A Drunk, Dumb Nothing by what White called, after the episode, "a derpy death."ĭid this scene feel a little. Most of us Tanya-will-die truthers pointed to the clue White left us in the opera-that its main character, which moved Tanya to tears, commits suicide during the play. (More on that later.) We see that Tanya is the body Daphne finds in the water. Trying to escape to a getaway boat, Tanya falls into the water-to her death. Of course, this is our clumsy, lovable Tanya, so any act of heroism can't last for long. When Quentin and the gang pound on the door, Tanya goes 007 on everyone except for that one character whose name we never learned and the ship's captain. She leaves dinner, picks up Chekhov-Niccoló's gun, hiding nearby, and locks herself in a bedroom. Portia confronts Jack, who so kindly dumps her on the side of the road in the middle of the night. ![]() ![]() Through a fortuitous phone call between Portia and Tanya-who yes, are absolutely more alike than they think, both falling for charismatic men and the exact same con-the two women realize what's going on. The plan: have Jack whisk Portia away on a Sicilian adventure, get Tanya on a boat headed back to Taormina, kill Tanya. Quentin and his merry band of friends-which includes one scary, sexy mafioso-want to kill Tanya and take her money. About midway through the finale, what's essentially an amalgamation of Tanya fan theories proves true. "These Gays, They're Trying To Murder Me!"
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